EXHIBITIONS+
PRESS+
PROJECTS

+PARIS PHOTO 2023 + STALEY-WISE GALLERY

Kate Moss, Rush, 1992/2023

+PARIS PHOTO 2023 + SOPHIE SCHEIDECKER

+PHOTOFAIRS, NYC + STALEY-WISE GALLERY SEPTEMBER 8-10, 2023

AMAFFI PERFUME HOUSE WORLDWIDE CAMPAIGN 2023

“Inspired by the brush of the night sky dazzled in diamonds of light New York City intoxicates you only within the world of AMAFFI” sps

ROBB REPORT the scent of luxury

+STALEY-WISE GALLERY, NEW YORK, WHO’S WHO? GROUP EXHIBITION, MAY 5-JUNE 24, 2023

Staley-Wise Gallery

Heath Ledger, The Stars. Keith Richards, Last Bow. Lenny Kravitz, Shimmer Man.

+NORTON MUSEUM OF ART, PALM BEACH, NICOLA ERNI COLLECTION, OCTOBER-FEBRUARY 2023.

Proud to announce my Kate Moss, The Face will be included in the exhibition ‘A Personal View on High Fashion & Street Style. Photographs from the Nicola Erni Collection 1930s to now.’ The exhibition has been curated by Ira Stehmann and Birgit Filzmaier in collaboration with Nicole Erni Collection. Kate Moss, The Face, 1992, Archival Pigment Print, edition of 10 + 2 APs, 60 x 40 inches (152.4 x 101.6)

+HIGHLIGHTS, MUNICH + IRA STEHMANN FINE ARTS, OCTOBER 2022

+GALERIE SOPHIE SCHEIDECKER, PARIS.

FACES June 10 - September 24, 2022.

Photographs, oils on canvas and works on paper. Artists: Lina Bertucci, Erwin Blumenfeld, Rineke Dijkstra, James Ensor, Albrecht Fuchs, Nan Goldin, Simon Henwood, Kati Horna, Loretta Lux, Annette Messager, Zanele Muholi, Arthur Ou, Yan Pei-Ming, Francis Picabia, Stephanie Pfriender Stylander, Arielle Pytka , Paula Rego, Wolfgang Tillmans, Adele Torrington, Gerard Traquandi, and Xavier Valls.

This exhibition offers a dialogue between modern and contemporary art on the theme of the portrait through several types of mediums ranging from photography to painting, watercolor and drawing. Thus, the portraits of Francis Picabia, Xavier Valls or Paula Rego respond to those of Yan Pei-Ming, Gérard Traquandi or Simon Henwood, and those of emerging artists Adèle Torrington and Arielle Pytka. The portrait is a recurring theme in the history of art. Self-portraits, portraits of families, artists or intellectuals, hyperrealistic or surrealistic portraits, the face through the gaze opens the door to the self. It reflects the personality and psychology of the subject but also contemporary society and the aesthetic criteria of a given era. In photography, the portrait can be a symbol of identity in the series of Zanele Muholi and Lina Bertucci, iconic in the "close-ups" of stars by Stephanie Pfriender Stylander, experimental in the solarized images of Erwin Blumenfeld, or even surreal in pictures of children by Loretta Lux or photographs of the Mexican intelligentsia by Kati Horna. In its Faces exhibition, the Sophie Scheidecker Gallery thus revisits the tradition of the portrait by inviting the viewer to discover the representation of the human figure apprehended in an original way by each of the artists proposed.

+ARTLAND, JUNE 2022

+ STALEY-WISE GALLERY, NEW YORK, ART & FASHION EXHIBIT, JUNE 24-OCTOBER 15, 2022.

+AIPAD, NEW YORK with STALEY-WISE GALLERY, MAY 2022

+PHOTO LONDON, LONDON with GALERIE SOPHIE SCHEIDECKER, MAY 2022

+PARIS PHOTO,PARIS with GALERIE SOPHIE SCHEIDECKER + STALEY-WISE GALLERY, NOVEMBER 2021

+GALERIE SOPHIE SCHEIDECKER, PARIS
MARCH-MAY 2021
NEW YORK CITY LOCKDOWN EXHIBITION

+INTERNATIONAL PHOTOGRAPHY AWARDS NEW YORK CITY LOCKDOWN, Internal City,
Fine Art Landscape Award, 2021

Galerie Sophie Scheidecker “The transparent architecture inspired her with optical illusions. The interiors and the exteriors became one. The reflections of light and shadow showed her new points of view. Stephanie Pfriender Stylander was transported by the poetic emptiness of the city's silent interiors and its exposed streets. This strange disruption of our daily life revived the artist's early years of learning photography into a vocabulary that was familiar to her. Indeed, at that time Stephanie Pfriender Stylander wandered alone with her camera in cities of unknown countries whose language she did not know, creating a silent atmosphere. And so the past and present merged, Pfriender Stylander photographing poignant scenes with no interruption.”

AnOther Magazine “Here was this sleeping giant so quiet, stunning and private. I walked this concrete jungle and found poetry in the desolation, the buildings stood handsomely tall, shining in the noonday sun, with no life on the street, people had fled, the metropolis was closed. And as if a curtain came down, reminding me of nocturnal dreams where scenes are familiar yet different, echoing memory and knocking on the door of love.”

Frankfurter Allgemeine Zeitung ‘But the mannequins, also stand out strangely, as if they had a message to convey beyond consumption, as if they wanted to reveal a secret. She seems to have understood this as an invitation to enter a strange sphere. And she savored it like a love letter that you read and put away and take out again to reread it.’ Freddy Langer

Collectible DRY MagazineWhen I started working on this series I recalled the times when I was living in Paris and would walk up to Montmartre on early Sunday mornings when the buildings, restaurants, bars and streets were draped in a foggy silence and I would roam around with my Leica. The days of the pandemic in NYC, my city became foreign, ambiguous, haunting and called me, and so I would roam around with my Leica.”

+STALEY-WISE GALLERY, NEW YORK
2 WOMEN OF STYLE EXHIBITION
WITH LOUISE DAHL-WOLFE
MARCH-JULY 2020

+SONY MUSIC
LAURA BENANTI 2020

+CHRISTIAN ROTH
EYEWEAR CAMPAIGN 2019

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+MILKX HONG KONG
SPECIAL ISSUE 2019

+LUCIE + INTERNATIONAL PHOTOGRAPHY AWARDS, ROAR OF SILENCE, Fine Art, 2017

'‘The ambiguous shrouded figure acts as a symbolic representation of the hidden self, explored by the undefinable psychic occurrences that transpire between the universal us, the image in its aftermath and our world of today, all in a state of flux. I am the photographer, subject and sometimes viewer”.